Two cities can play at that game

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Albany Paper Collar Company.png

In the old days, cities took their reputations as manufacturing centers very seriously, and so did the companies. When inter-company (and intra-family) rivalry broke out in the burgeoning bell industry, one company took pains to point out that only their bells were actually made in Troy; that other pack of scoundrels (who dominated the industry) were in West Troy, across the river in what is now Watervliet. And to some extent it still matters today; I won’t ever buy a Troy-Bilt product again, simply because they’re no longer built in Troy, or anywhere near. They decamped for Michigan years ago.

So I can’t help but feel that the Albany Paper Collar Company, a few miles south of the Collar City, must have always been thought of as putting out a second class product. Not because their collars were paper; don’t forget that celluloid (an Albany invention) hadn’t yet been applied to the collar business. Paper collars were considered a breakthrough. If they were made in Troy.  Oh, sure, those Albany collars’ll cover your neck, but they’d never make it in the big town. Nevertheless, they had a very large factory on Broadway, right where the DEC building is today. One guide to Albany claimed it was the sixth largest company in an industry of 70, employing from 40 to 50 persons, “mostly girls,” and that this business also supported the box factory of George Cozine at 283-285 Broadway, “which is fitted up with all the latest improved machinery, and devoted expressly to making the little box into which the collars are put, each box containing ten collars systematically rolled in the least possible room.” The covers of the boxes were ornamented with a fine representation of our new State Capitol.

Scientist, Practical Dyer.

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In the 1850s and 1860s, Robert McFarlane was the editor of Scientific American. “A genuine Scot, from Rutherglen, near Glasgow,” he was instrumental in promoting the benefits of Gail Borden’s invention of condensed milk, and wrote an important treatise on dyeing and calico printing. By 1870, he had left the big city life and editing behind, and was in charge of The Old Dyeing and Scouring Establishment at 24 Norton Street in Albany. How did the editor of the premiere scientific magazine of its day (in a day when science was held in high regard) end up running a high-end laundry? I don’t know. Perhaps he just really liked dyeing things.

Norton Street, by the way, is gone.  Formerly called Church Street and, until 1835, Store Lane, it ran east from South Pearl Street and ended at Green Street. It is shown as “Nail Street” on the Simeon De Witt maps from the 1790s.

Fix that umbrella!

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Daniel Weaver of 49 Green Street was not only a manufacturer and dealer in umbrellas and parasols, he also re-covered and repaired them. An Albanian from 1870 was likely hard pressed to imagine why you would throw away an umbrella when it could be repaired; today we can hardly imagine how you could repair one when new ones at the Target are $14. (Or, on the streets of New York, fi’ dolla — though sometimes the price goes up with the rainfall.)

Also, he always had corset bone on hand, sold in quantities to suit purchasers — not like the whole corset bone dealers who required you to take an entire whale’s worth of bone at a time.

Not enough galvanized iron cornice these days

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In fact, to say there’s not enough galvanized iron cornice these days is a sad understatement. While I’ve seen some lovely, graceful buildings with nice decorative elements put up in other cities (look at all the handsome new construction in Washington, D.C. over the past decade and change), here we settle for the quickest, cheapest, ugliest, least decorative econoboxes available. Not that I’m bitter. But Albany is a beautiful city of graceful historical buildings, and J.W. Osborn and Bradley Martin had to have at least a small hand in that. If you know where to look, there’s still a fair amount of galvanized iron cornice, window caps, &c. around for the viewing, 140 years later. That they were selling these items from James Street, right off of State in the heart of downtown, rather than the distant lumber district, suggests they were appealing to the upper class of citizens who appreciated the makings of a fine home. Where would you go for galvanized iron cornice today? Not Google, that’s for sure – all references are to that past.

Yeah, I’m just gonna wait until they invent foam

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No doubt that H.R. Watson used the finest curled hair, husk &c. (and if you have already covered hair and husk, just what could that “&c.” be?) in their mattresses, and no doubt that “spring under” was a major innovation, even though today it seems logical that you wouldn’t want the springs on top of the mattress. (Unless of course you really wanted to be separated from the curled hair.) And honestly, I don’t know how “live” I want my geese feathers to be. But maybe it’s best that Watson had some French lace curtains on hand to fancy up the place.

Plain Street, which once ran west from South Pearl between Hudson and Hamilton, is no more, destroyed by the South Mall Arterial.

Finally, drugs and art supplies in one place!

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In 1870, John Humphrey, perhaps feeling he had an insufficient number of J’s in his name for the changing times, sold out his entire stock of drugs, medicines, paints, oils, glass, druggists’ sundries and fancy goods to one John J. St. John. The establishment continued at 39 Washington Avenue, which I presume was across the street from the new Capitol.

Where to get your tassels

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McEntee, Dunham & Co. imported both French and American paper hangings, and manufactured and dealt in window shades, shade fixtures, and picture cords and tassels. If you know anything about Victorian decorating, you know that someone who could corner the tassel market would live like a king. in 1870, McEntee’s shop was on Green Street, just four doors in from State Street. You’d need to count the doors because you couldn’t see in through the windows, what with the window shades and all.

Misunderstanding how to use quotes since 1870

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Pages from Wallaces Street and City Guide of Albany 1870_Page_16.png

Well, at least “Haines” didn’t put “photographer” in quotes, so you
could have some assurance as to what he did, even if you were led to
doubt whether he was using his real name. There were a number of photographers operating down on Broadway in the years following the Civil War, and while others may have offered portraits, views and interiors, they may have offered finishing in oil, water color, or India ink, and they may even have had photographs of the new Capitol on hand, it is unlikely that any of the other photographic establishments could lay claim to being publishers of “stereoscopes of morbid specimens for the medical profession.” That sideline could be why “Haines” was perhaps using an assumed name.


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Pinkster definition Albany guidebook.pngAlbany’s current Tulip Festival has its origins in Pinkster, which was celebrated by slaves and servant. There is an excellent description of Pinkster at the Knickerbocker Ledger. This definition from an Albany guide book explains Pinkster as:
 “A negro festival which used to be celebrated on Capitol hill when slavery existed in the State. It began on the Monday following Whitsunday or Day of Pentecost, and lasted a week. The ground was laid out in the form of an oblong square, enclosed on three sides by rude booths, and here the dancing and merry-making took place. ‘Charley of the Pinkster hill,’ an old African negro, was king of the revels. After his death the festival was not so much observed, and fell into disrepute. In 1811 the common council forbade the erection of stalls on account of the scenes of disorder which prevailed, and so the custom died out.”

Pinksteren is a Dutch word for Pentecost.

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Typographical show-off

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1862 Schenectady Directory Van DeBogert lumber coal.png

Van Debogert Bros. sold lumber and coal and cement and flour and grain and yada yada yada. In the mind of some printer in 1862, that was secondary to the excellent opportunity this ad afforded to show off how many very fancy fonts were available. Again for you kids, there was a time when a font meant something and was something, and that something was expensive. Every character was cast in lead. A font was a very precise thing: a particular typeface in a single size. If you wanted more than one size, you had to buy it, not press Ctrl-F.

This Schenectady city directory was probably printed by Joel Munsell’s large printing house in Albany. If you were a big, successful printing house with dozens or perhaps hundreds of fonts available, you wanted to let people know that, even if you had to do it on the back of an innocent merchant.

The disincentive to this kind of typographical splattering is one I’d love to see returned to use today, to put an end to people who think they can design in Word and that “text art” is ever a good idea. (N.B.: It is not.) When the printing was done, the ink wiped away and the forms were broken up, somebody in the composing room had to put every single character on this page away, in its proper slot, in the right drawer, in the right size. It would have taken a lot of time, and would have made you think twice before you’d try the shotgun-font effect again. If only we could get that disincentive back.

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